Magic happens when rock, sea and sand come together in an
isolated peninsula in southern Thailand
When I first visited Railay, many more years ago than I care
to recall, there was no airport at Krabi. The trip involved an overnight train journey
from KL, stepping down at the Malaysian-Thai border for Immigration formalities
in the morning before continuing on to Haadyai.
A small minibus, with passengers and luggage squished inside, wended its
swaying way on Thai B-roads from Haadyai to Krabi town, then a quiet
backwater. The last part of the journey
involved a songtheaw (longtail boat) for the 20 minute journey over the
sea, hugging the coastline, which was overgrown with mangrove forests, beneath
pale and towering cliffs.
The Railay peninsula hove into view, a sliver of golden
beach shimmering like a mirage beneath the massive hulk of orange cliffs,
festooned with dense vegetation. It was like discovering a hidden, secret
place, sundered from the rest of the world.
The boat drifted right in on a high tide, to a cemented
walkway that hadn’t existed, literally to the doorstep of my hotel. The walkway extended all the way along the
nonexistent beach with the sea sloshing over it in places. A crowd of low-rise buildings rose on the
other side of the walkway. The hotel was
far more luxurious than the almost backpacker-digs I had stayed in years ago,
but the same sense of serenity, of being in an exotic faraway place, overcame
me with the warm sense of reliving a dream.
The Railay or Phra-nang peninsula, as it is also referred
to, is a small peninsula thrust out into the Andaman Sea
from the Thai mainland. Although physically connected to the mainland, is also
cut off from it by tall and impenetrable limestone hills. The only way in and
out is by boat.
The peninsula is long, narrow and small, with three beaches:
the sunset facing Railay West beach, a mere 10-minute stroll from the sunrise-facing
Railay East, while the peninsula ends with the southern-facing Phra-Nang beach.
Limestone hills and dense vegetation define the landscape. Offshore, limestone
islands, knobby, irregular lumps overgrown by vegetation, float serenely on the
aquamarine sea.
Railay West is a broad scimitar of golden, fine sand,
guarded on either end by dramatic, vertical cliffs. Railay East has no sandy beach to speak of,
but a mangrove forest instead, while Phra-Nang is small and exquisite, with
limestone hills and caves imparting the feeling of a deserted island.
What was once makeshift accommodation beneath coconut trees
has evolved, over the years, into various grades of upmarket, more comfortable
accommodation. At the tip of the peninsula is the super-luxurious, swanky
Rayavadee resort, with access to all three beaches. The accommodation on Railay
West, exposed to a constant breeze, the broad beach and a spectacular view
commands higher prices than those on Railay East, which has a more intimate
feel, with the mangrove forests close by.
The peninsula hasn’t been overwhelmed by visitor facilities, or overrun
by sleazy neon-lit bars and parlours, and it retains a certain innocence, with
no motorized transport, and no need for any, given the proximity of everything.
There is a quietude, of warm cosy lighting, lush gardens, narrow
crooked pathways between buildings with dappled patches of shade from foliage
overhead. There are hotels for a range of budgets, with beachside restaurants offering
fresh barbecued seafood to small eateries serving local Thai food for budget
travelers. There are small provision
shops, travel and tour agents, a couple of massage parlours, and even a muay
thai ring at one of the bars. In the middle of the peninsula are unpaved
walkways in the shade of limestone cliffs and dense vegetation, with small
restaurants serving som tam (green papaya salad) and mango sticky rice
dessert with plates of noodles.
One of the major visitor pursuits on Railay is
rock-climbing. There are about a dozen rock-climbing schools scattered over the
peninsula, small home-grown outfits with cheerful instrutors and a can-do
attitude. For a fixed fee, schools provide all equipment, the services of an
instructor and access to bolted routes for various grades of climbs.
There are dozens of mapped, bolted routes of varying grades
of difficulty, and an international climbing competition every year. From
beginner walls to technically challenging overhangs, the variety and scenic
splendour of climbing at Railay attracts visitors from the world over. There
are various accounts of how rock-climbing took off on the peninsula, but it
started in the waning years of the twentieth century.
When I first visited Railay all those years ago, I met a
lithe Thai man on one of the walls. His name was “King” and with his
encouragement, I clambered up a steep section to a viewpoint overlooking the
peninsula. Rock-climbing in Railay was in its infancy then, and King invited me
to come back one day to do a course with his rock-climbing school. I found out
that he was one of the early pioneers, one of a handful of local Thais who first
took up, and later started teaching, rock climbing on the peninsula.
On this trip, many years later, I sought and found King Rock
Climbing school, one of the earliest and most established rock-climbing schools
on Railay. King, whose real name is Somporn Suebhait, had since taken up
residence in Australia, but his school and his legacy live on, for he publishes
books on climbing routes, and returns regularly for visits, while rock-climbing
has exploded in popularity. On any day, weather permitting, novice rock
climbers can be seen struggling up beginner routes, with Thai instructors
belaying and exhorting encouragement.
Rock-climbing is a throwback to an earlier period when
Railay was a backpacker’s destination, when the peninsula was little known,
accommodation was simple but cheap, and the combination of sun, sea, beach,
sand and cliffs an irresistible invitation to a bohemian, antiauthoritarian
lifestyle. In the intervening years,
inevitably, the better-heeled traveler discovered Railay, to be followed rapidly
by respectability, plush digs and the comforts of home.
But the idea and the spirit of the freewheeling Phra-nang
peninsula still exists, a little distance away.
At the far end of Railay West beach, where, many years ago, there was a sometimes
impromptu nudist enclave, the beach ends in a matted tangle of rocks and
vegetation where the cliffs come down to the beach. At high tide, it’s
impassable, but when the tide is out, a narrow rocky path is revealed, starting
from the beach. It’s also possible to walk on the seabed when the tide has
receded, around this narrow rocky headland, to the other side.
It’s a 10-15 minute walk, and on the other side is another
beach, a narrow ribbon of sand sandwiched between sea and forbidding cliffs. It’s exposed at low tide, but submerged at
high tide. A few minutes walk further, the beach broadens out, with a ribbon of
wooden lodgings and small restaurants pressed up against the dense forest.
This is Ton Sai beach, where the living is cheap, the accommodation
basic, and the restless spirit lives on. Many visitors stay here for weeks or
months, with rock-climbing being one of the main attractions. Many of the cliffs just behind the buildings
start with difficult overhangs, with the rock-climbing crowd here being more
experienced, tackling technically challenging routes. The whole mood is more
serious and quiet, with individual or small groups of rock-climbers
concentrating on their craft.
Ton Sai is more isolated than Railay, although there’s a narrow,
ankle-twisting hour-long hike through dense rocky forest to Railay when the
tide is high. The backpacker culture I encountered those many years ago
continues to thrive, in the happy isolation of Ton Sai beach, at the confluence
of sun, sea, salt-spray and limestone cliffs.
People discover themselves on Railay, something that comes
from living in the moment. Moments become special because you notice them, the
sea breeze, the sound of waves rushing in to shore, a burning blue sky and the
transparent sheets of water as they break on the beach. Sunrises and sunsets
are phantasmagoric displays of colour-streaked sky above shimmering sands when
time stands still. Perhaps it isn’t Railay itself, but what it exposes, the
sloughing away, one layer after another like the peeling of an onion, of the
illusions, the misconceptions, the perceptions and the constant barrage of
information from living in the modern, noisy, civilized world, to reveal,
beneath all that, the discovery that the magic is not without, but within.
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